VIZOR游戏公司明斯克上世纪苏联风办公室设计设计风向

Vizor公司的内部是对20世纪70年代和80年代苏联设计和建筑的重新诠释，设计团队将公众的注意力集中在这一趋势的美学价值上。室内充满了明亮和清晰的空间，从一个体量延伸到另一个体量。相同材质的地板和红色的天花板是塑造室内的主要元素。地板代表了苏联公共建筑的精神，嵌入不同几何形状的小瓷砖图案中。开放式交流的天花板被漆成复杂的颜色。入口以圆形大厅的形式设计，由浅玫瑰色的玻璃砖组成。入口单元顶部有一圈绿色的悬挂植物。

The interior of Vizor company is a reinterpretation of Soviet design and architecture of the 70s and 80s of the 20th century where we focus public attention on the aesthetic value of this trend. In general the interior is filled with light and clear space extending and flowing from one volume to another. The floor designed in the same material and the red ceiling are the main elements shaping the interior. The floor represents the spirit of Soviet public buildings embedded into a pattern of small tiles of different geometric shapes. The ceiling with open communications is painted in a complex accent color. The entrance is designed in the form of a rounded lobby executed with the help of light-rose glass blocks. The entrance unit is topped with a strap of green hanging plants.

风格，字体和材料的选择基于苏联地下车站的标识。站在入口的正前方，我们到达了整个空间的主轴。长景由工作区域比例和悬挂球形灯的节奏支撑；它集中在拱门上，以一个黑点结束。这种方法的效果几乎是神圣的。中心内板垂直于这个轴。通过与类似物的对比分析，设计出陶瓷模组的总体组成。两种色调的墙盖补充了主要区域。其中一个区域是由勒柯布西耶(Le Corbusier)扶手风格的低矮隔断形成的。

The style, font and material were chosen based on the inscriptions of Soviet underground stations. Standing right at the entrance we hit the main axis of the entire space. Long vista is supported by working areas proportions as well as the rhythm of hanging spherical lamps; it concentrates in the arch and ends with a black point. The effect of such method is almost sacred. The central interior panel is located perpendicular to this axis. The ceramic modules were analyzed by comparison with analogues and designed into the general composition. A two-tone wall cover complements the main area. One of the zones is formed by low partitions in the style of Le Corbusier handrails.

第二个工作区的墙壁是用木板完成的，就像厨房的外墙一样。厨房文体与北欧家具和基于上世纪现代主义艺术的抽象构图相得益彰。卫浴设施有机地传达了30年代的现代性和精神。我们还使用了特别设计的陶瓷元素和洗手盆。内部充满精心挑选的技术和细节，同时看起来轻盈通风。这是对当地建筑和设计传统的重新诠释。

The walls of the second workspace are finished with wood panels, just like the facades of the kitchen. Kitchen stylistics is complemented by Scandinavian furniture and abstract composition based on the modernist art of the last century. WC facilities organically convey modernity and spirit of the 30s. We also used specially designed ceramic elements and wash-basins in the proportions of those years. The interior is filled with neatly selected techniques and details, but at the same time looks light and airy. This work is a reinterpretation of the original local architectural and design tradition.