The design combines spatial aesthetics, spatial color, spatial emotional treatment and whisky culture. It is also a ambient bar landmark in this area, and also a place for local residents and tourists to gather and relax.
Gothic architectural elements are integrated into this design; the architectural style of the thirteenth to fifteenth centuries is integrated into the 21st century, not limited to churches, monasteries and other broader and more unexpected scenes. In the final draft of the second draft, the design modifies the Gothic element to make it more modern and even timely. So that there is not much directional in the final design, but there is a lot of imagination: you can think of it as a time capsule, you can think of it as a running train, or it itself, a Whiskey Bar. In addition, the emotional treatment of the space can also be displayed here: strong whisky, like life, has a certain degree of “deceptiveness”, and the longer it takes, the stronger the color of deception, revolving around the wine, so that time can be “visualized” in the wine; this is also the theme of this design.
The overall tone uses three primary colors: red, yellow and blue. The main tone is warm red, yellow and blue are auxiliary colors. Unlike in the past, red is not presented as a warm tone, but as a cold tone, echoing the light of whisky in the glass as red and non-red under the reflection of light; blue is a cluster of flames that ignites the heat of each piece of red.Then stretch the sense of space atmosphere through red, and maximize the spatial mood while interpreting the vague concepts of “deception” and “time visibility” that designers want to express with red.
因而，把这些哥特式的东西放到Whiskey Bar中就是一次创新的开始。设计，它是一个延伸的过程，你永远无法预料在这过程中会蹦出什么新的东西来，好比创新后的颠覆，也就是你现在所看到的 红 LOUNGE。
Therefore, putting these Gothic things in the Whiskey Bar is the beginning of innovation. Design is an extended process, and you can never expect anything new to pop up in the process, just like the subversion after innovation, which is the final design of the Red LOUNGE you see now.
剔除掉哥特，保留下它的“时间感”，尖拱更换成方圆，使之从文艺复兴瞬间跨越至21世纪，给予你无限的想象空间，它可以是一个时间胶囊、一辆行驶的列车、一处令人流连忘返感受时光灌进威士忌中在清醒与曼妙醉梦中穿梭的地方。甚至可以幻想到，那位“冷抽象”代表 —— 蒙德里安，坐在吧台前喝着麦芽威士忌的画面。
Replace the pointed arch into a square circle, so that it can leap from the Renaissance to the 21st century in an instant, giving you unlimited imagination. It can be a time capsule, a running train, a unforgettable feeling that time pours into whiskey and wears in a sober and wonderful drunken dream. Shuttle place. You can even imagine that the “cold abstract” representative, Mondrian, sat at the bar drinking malt whisky.
圆弧式的吊顶，使整个空间看起来更加地柔和，红色墙面颠覆了 “红色” 作为色彩本身喜庆的寓意，塑造出Whiskey Bar独有的“冷抽象”式氛围；而吧台与酒柜则采用了弧形设计，饱含中世纪和维京时期的怀旧浪漫风格，同时也增加了空间的科技感；弧形吧台以及弧形灯轨就正如杯子中流动、碰撞、又反复的威士忌，环绕在其中。
The arc suspended ceiling makes the whole space look softer. The red wall subverts “red” as the festive implication of the color itself, creating the unique “cold abstract” atmosphere of Whiskey Bar; while the bar and wine cabinet adopt an arc design, full of the nostalgic romantic style of the Middle Ages and Vikings, and also increases the sense of technology of the space; the arc bar and the curved lamp rails are surrounded by whisky flowing, collision and repeated in a cup.
In this view, the “time visualization” in space seems to be the traces of people’s actions in the passage of time. All people are like huge movements, and people are immersed in it. When they enlarge their horizons and watch such a huge and ignORIENT movement, at this moment, in their own destiny and time, people’s existence is so transient and short.
Through “red”, let you and I, who had no intersection, instantly get closer and understand each other’s inner emotions.
项目名称：红Lounge Whisky Bar
项目设计 & 完成年份：立项时间：2021-3/完成时间：2021-9