CKR | 东京一座上世纪旧银行改造K5酒店设计风向

随着2020年东京夏季奥运会的到来，专门用来容纳游客涌入的新酒店遍布整个城市。最近开业的K5酒店为来东京的客人提供独特的体验，由瑞典公司Claesson Koivisto Rune设计。K5的前身是20世纪20年代的一家银行，融合了瑞典的极简主义和日本的传统设计，以“在城市中与自然共存”为主题。

With the 2020 Summer Olympics set to take place in Tokyo this July, new hotels — dedicated to accommodate the influx of visitors — have cropped up all over the city. Designed by Swedish firm Claesson Koivisto Rune, the recently opened K5 hotel offers guests a unique experience when coming to Tokyo. A former bank from the 1920s, K5 blends Swedish minimalism with Japanese heritage design, centered around the theme of “existing with nature in the city”.

K5是一个由客房、餐厅、酒吧和社交空间组成的微型综合体，它表达了日本的“aimai”概念，这是一个诗意的术语，意指模棱两可或含糊不清。四层楼高的建筑共有20间宽敞的客房，还有一间供应日式，法式和丹麦美食的餐厅，一间带酒吧横穿图书馆的沙龙，全球第一家布鲁克林啤酒厂旗舰店和一家特色咖啡店。

A micro-complex of guest rooms, eateries, bars and social spaces, K5 expresses the Japanese notion of “aimai,” a poetic term that denotes ambiguity or vagueness. Twenty spacious rooms make up the four-story structure, along with a restaurant that serves Japanese, French and Danish cuisine, a salon that crosses a library with a bar, the first Brooklyn Brewery flagship store in the world and a specialty coffee shop.

K5的极简空间通过定制家具，带灯罩的柱子和重点照明得以提升。定制的纸灯与Maruni和Emeco的家具相得益彰，而郁郁葱葱的植物则为室内自然环境带来一面。 Claesson Koivisto Rune保留了原有的混凝土地板，同时使用雪松木和日本灰泥等传统材料对其进行了升级。

K5’s minimalist space is elevated with custom-made furniture, veiled columns and accent lighting. Bespoke paper lamps complement Maruni and Emeco furnishings, while lush plants bring an aspect of the natural environment indoors. Claesson Koivisto Rune kept the original concrete flooring intact while upgrading it with traditional materials such as cedarwood and Japanese stucco.