2023年11月，大鸭梨餐饮集团下高端餐饮品牌Wanwea·元餐厅低调启幕。TANZO天作空间王大泉说这是一次有点痛苦的设计过程，如劲草出罅隙，但最终的成果也和餐厅的名字彼此映衬：在混沌太空里，描摹出一个抽象、整体的起始，然后随着人的进入，一切变得生动具象起来。
In November 2023, the upscale restaurant brand Wanwea·Yuan under the Da Ya Li Restaurant Group quietly launched. DaQuan Wang from TANZO Space Design described the design process as somewhat painful like tough grass breaking through cracks. Still, the final result also reflects the name of the restaurant: Sketching an abstract, holistic beginning in a chaotic space, which becomes vivid and concrete as people enter.
建筑原点
织补与重建
但空无不意味着荒芜，绝佳的地理位置和环境条件使建筑的可能性变得宽广，也有了建成后不同的到访者对Wanwea·元的多向解读。在老朋友荒野植物园的协作下，穿插互构的内外庭院与建筑主体重新凝聚了这一地块，围绕如母亲般的河柳创造整个园子的生命状态。草坪、踏步、水面切割出庭院自近而远、自下而上的景致，明晦冲融、重叠缥缈。
However, emptiness does not imply desolation. The exceptional geographical location and environmental conditions have broadened the possibilities for architecture, allowing for diverse interpretations of Wanwea·Yuan by different visitors after its completion. In collaboration with the Wild Garden, the interwoven interior and exterior courtyards, along with the main building, have redefined this plot of land, creating a life-like atmosphere around the river willows, as if nurturing the entire garden. The lawn, stepping paths, and water surface carve out a view of the courtyard that unfolds from near to far, from bottom to top—an intricate interplay of light and shade, blending and overlapping in an ethereal way.
穿行于庭院时，东方和西方感并不鲜明，源于设计师意识到园林只是一种林泉观的再现，或说是一种神仙境界的营造，并没有绝对营造法式，反而使Wanwea·元的庭院有了不拘泥于地方文脉，圆融大观的神采。
As one moves through the courtyard, the distinction between Eastern and Western sensibilities is not immediately apparent. This stems from the designer’s realization that the garden represents a forest-and-spring landscape, or perhaps an attempt to create a divine realm, without adhering to a fixed architectural style. This approach allows the courtyard of Wanwea·Yuan to transcend regional traditions, embodying a harmonious and expansive aura.
展开想象
元餐厅的山径
在中国历史上，《山经》筚路蓝缕，劈开鸿蒙，叙列山川，用一种上帝般兼顾宏观与微观、既总揽大千又洞察幽微的目光载记万物。或许是因为后来的人们丧失了古人所曾经登临的高度，因此也没有了古人曾有过的眼光，将彼时风景只作神话怪谈。
In Chinese history, the ‘Classic of Mountains’ forged paths through chaos, opening up the primordial void, cataloging rivers and mountains with a god-like perspective that encompassed both macro and micro views—capturing the universe yet also discerning the subtleties of all things. Perhaps it is because later generations have lost the heights once reached by the ancients, and with that, the vision they once possessed, relegating those landscapes to the realm of myths and legends.
Wanwea·元想造一个把人们带入迷人之境的过程，“想象中的境地”贯穿始终：川蜀大地的奇险；热烈坚毅的民风；灵动精巧的风味；神异奇绝的风物……空间以更广大、更具有想象余地的图景承托它的多源性和勃勃雄心，这是品牌和设计师埋在空间深处的精神寄望。
Wanwea·Yuan aims to create a process that transports people into an enchanting realm. The ‘imagined landscapes’ are consistent throughout: the perilous terrains of Sichuan; the warm and resolute local customs; the lively and exquisite flavors; the marvelous and extraordinary natural sights… The space supports its multivalence and vigorous ambitions with broader, more imaginative vistas, embedding the brand and designer’s spiritual aspirations deep within the space.
进入的情绪
激昂，然后静定
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