全球设计风向感谢来自 故事空间 的办公会所空间项目案例分享：
“山水有待如知己”，中国人始终认为山水是人格化情感可以相互感应的对象。
“The mountains and rivers need to be be treated as confidantes .” The Chinese always believe mountains and rivers as the objects personified to sense each other ’s emotion.
这个空间的调性在一开始就要考虑其稳重和道统的关系，所以仪式感和空间序列感在创作中贯穿始终的重要基本框架。茶道和香道是该空间的业主欲向外传播的很重要的道统文化脉络，这是其自身的价值。作为一个企业会所，亦要重塑空间主人与生俱来的涵养积淀，在空间设计中渗透出低调谦恭、平和沉着的气质，所以符号化表意，就变得尤其重要。
It needs to be considered the relationship between its stability and orthodoxy from the beginning when mentioning the tone of this space.Therefore, the sense of ritual and the sense of spatial sequence are the the important basic frameworks which run through the creation . The sado and incense lore are the important cultural contexts of the Confucian orthodoxy that the owner of the space wants to spread outwards, which is its own value. As a business club, it is also necessary to reshape the accumulation of the inherent self-cultivation of the space owner , and infiltrate the temperament of low-key humility the peace and composure into the space ’s design .So symbolized expression becomes particularly important.
开门，是隐喻迎宾的一个重要礼仪，所以才有了见山的概念。这个缘起即见山如见人：见山是山。
Opening the door is a metaphor to greet guests .That is how the concept of seeing the mountain begins .This origin is to see a mountain is just like to see a person at the first sight : to see a mountain as it is.
接下来，从中轴线迈入：见山非山。在每个开放与半开放的功能空间内，茶道与香道以飨宾客，享用色、声、香、味、触五感的体验的过程，亦是了解主人的过程。
Next , when stepping into the space from the central axis , it is like to see the mountain as it is not a mountain any longer . In each open and semi-open functional space, there is the sado and incense lore for guests to enjoy the experience of color, sound, fragrance, taste, touch, which is also the process of knowing about the owner.
最后回到入口—见山还是山，但此山已非彼山。见空间如识主人，如此，就是整个空间流线的创作概念。
Finally ,when going back to the entrance , it is like to see the mountain as a mountain, but this mountain is no longer the other mountain which we see from the beginning . To see the space is just like to know the master ,which is the creation concept of the whole space streamline.
【入口，见山是山】
[The entrance, to see a mountain as it is]
古木纹石黑白相间条纹表流水，意为情义源远流长，如地毯般延至端景，古琴与香案意整冠、静心。
Ancient wood grain stone with the black – and – white stripes symbolizes the running water which means love with a long history is like a carpet extended to the end of the scene.A guqin means adjusting one’s hat and an incense table means meditation.
【中轴线，见山非山】
[The central axis,to see the mountain as it is not a mountain any longer ]
唐代诗人于武陵在《寻山》中写道：青山如有利，白石亦成尘。水阔应无路，松深不见人。玻璃枯山石景意为内心明静与克制。拨云见山，符号化永远是设计人踏遍内心的追寻，抑扬顿挫，抑或记黑当白，记白当黑，这是空间的韵律、节奏与虚实关系。
Yu Wuling, a poet in the Tang Dynasty, wrote in his poem “looking for the mountain”: If a green mountain is advantageous to human beings, even one white stone will turn to dust;If the lake is wide, there will be no way to the other bank ; If stepping into a deep pine forest ,there will be no people .The dry landscape made of glass means inner peace and restraint . Like dispelling the clouds to see the sun , symbolization is always a designer’s life-long pursuit . Cadences or reckoning blank as inked while reckoning inked as blank ,are the relationship among the rhythm of space, rhythm and “Virtual and Essence”.
我愿意把设计看成是对生活的一种隐喻，虽然并不是每个人的审美、感知、观点都是一致的，但我仍愿意按这样的思考方式来设计创作。每经历一个项目的设计过程，就像一次见山的过程。而生命有如广阔的天地，选择就像我们的心路，踏着由心的路走壮美山河，吹一吹那崖上的风，听一听那松涛的千回百转……才拨开云雾见人生。
I would like to see design as a metaphor for life . Although not everyone is the same in the aspect of aesthetic, perception and view . I am still willing to design and create in this way of thinking. Every time when you go through a project design, it’s like to see a mountain. Our life is like a vast world, and our choices are like roads in our hearts . Walking through the beautiful mountains and rivers from our hearts , feeling the wind on the face , listening to the twists and turns of the pine waves , you will have a feeling that you get rid of the clouds and see the true meaning of life.
【出口—见山还是山】
[The exit , to see the mountain as a mountain ]
主要项目信息
项目位置：广东揭阳
Project Location: Jieyang , Guangdong Province
项目类型：办公会所空间
Project Type: Office Space
设计公司：故事空间
Design Company: SIAD
主创设计：朱海博
Chief Designer: Hihope Zhu
参与设计：方洁等
Participating Designer: Fang Jie
项目面积：1000平方米
Project Area: 1000 square meters
材质：古木纹石、灰木纹石、胡桃木、调光玻璃等
Materials: ancient wood stone, gray wood stone, walnut, dimming glass, etc.
主创设计师
朱海博 Hihope Zhu
室内建筑师
深圳市室内设计师协会 副秘书长
壹同创意集团 创始人
深圳市故事空间设计有限公司 创始人
米兰理工大学国际室内设计管理硕士
75年生人。毕业于意大利米兰理工大学，后于英国伦敦大学学院UCL Bartlett建筑学院与日本东京ICS艺术学院深造。曾参与马来西亚云顶娱乐场VIP中国厅及马来西亚前总理吉隆坡别墅装饰设计；主持设计过包括集酷集团、东方银座酒店集团、大洋百货等众多商业空间及私人住宅项目，擅长酒店、办公、地产销售中心、样板间、购物中心等商业空间。
