海墁设计 | 苏州汐留屋私汤临湖民宿-设计风向

“西山西岸，东方偏东”太湖西山，每次登岛都逢阴雨天，很庆幸能感受到五百多年前沈石田笔下《西山雨观》的情境，并能在此处留下自己的职业印记。

“The west bank of the West Mountain,east to the east”. Every time I go to the West Mountain of Taihu Lake, it’s always cloudy and rainy. I’m glad to feel the scene of Shen Shitian’s “View of the Rain in the West Mountain” more than 500 years ago, and leaved my professional mark here.

背靠横山，面朝太湖的汐留屋私汤民宿。这个看似东洋的主题恰好提供一个契机角度为它寻根溯源，找寻艺术背后的千丝万缕。

The Xiliuwu private soup B&B is back against the Hengshan Mountain and facing Taihu Lake. This seemingly Orient theme provides an opportunity to get to the root of it and find out what lies behind the art.

自然的，文脉的延续及融合，共生出东方概念下的栖居邸舍。

Natural, cultural context of the continuation and integration, symbiosis under the concept of the Oriental residence.

这组照片是首次过来时屋主留给我们的建筑形态。早春又恰逢阴雨，只顾看山听浪的我已全然忘记身边的残垣断壁。几番交谈后，屋主我便对目前的民宿业态有着一致默契的见解，不去触碰已知状态下的网红时尚。对于民宿这种需要长期经营和打磨的商业形态。“当下的时尚”–我的主观理解就是不具生命力的过时。

These pictures are the architectural forms given to us by the owner when we first came here. Early spring coincides with the rain, just looking at the mountains and listening to the waves I have completely forgotten the ruins of the side. After a few conversations, the owner and I came to a tacit understanding of the current state of the B&B business, not to touch the known state of the Internet celebrity fashion. For B&B, a business form that needs long-term operation and polishing. “Current fashion” — my subjective understanding is that it is out of date.

∇ 原始建筑

∇ 项目区位

“凝神静思，意在笔前。”王右军习字如此，设计已然相同。两周的考察和探讨后，我们给出的设想是让客人在湖光山色的环境中怎么才能真正的进入“悠然自得”的放松状态。“私汤”和“茶道”的概念呼之欲出。意已出，可下笔。

“Concentrate and meditate, work out the plot before putting pen to paper.” The same is true of Wang Youjun’s calligraphy and design. After two weeks of investigation and discussion, we came up with the idea of how guests can truly enter the “relaxed” state in the lake and mountain environment. The concept of “B&B” and “tea ceremony” came to mind. The intention has been expressed, than can write.

∇ 原始一层平面图&二层平面图

90年代的传统农村砖混结构建筑，再加上设计前的建筑的主体已经整改过一次，所以结构改造难度非常之大。设计的前期平面布局必须另辟蹊径。

The traditional rural brick and concrete structure building in the 1990s, plus the main body of the building before design has been rectified once, so the structural transformation is very difficult. The preliminary layout of the design must be developed in a different way.

∇ 一层平面图

我曾无数次的在江南园林中漫游，在入口通幽踏入建筑屋檐下的高低落差处自然的想到“云步”的概念，作为数丈外后山余脉的延续，即解决了功能问题也赋予它自然的意向。

I have wandered in Jiangnan Gardens for countless times, and naturally thought of the concept of “cloud walk” at the height of the drop between the entrance and the eaves of the building. As a continuation of the mountains several feet away, it not only solves the functional problem but also gives it natural intention.

“植黄山松柏、古梅、美竹,收之圆窗,宛然镜游也”–《园冶》。借太湖缥缈峰烟波层浪之景论茶道。

“Planting Yellow Mountain pine and cypress, ancient plum trees, beautiful bamboos, and the round windows, like a mirror tour” — Garden Ye. Talk about the tea ceremony by taking advantage of the misty peaks of Taihu Lake.

藉以粉墙为纸,以石为绘。记不得从何时起在每个设计案例中总会加入一幅不同形态的《竹石图》

So the wall for paper, stone for painting. I can’t remember when a different form of “bamboo stone” was added to every design case.

茶室的小门，像一个洞口，其讲究在于这个小门有个名字叫躏口。是客人专用的茶室出入口，在此必须弯腰屈膝进入。这是千利休的设计。至此平等与谦卑的洞口进入也意味着客人由纷扰的世俗社会进入了乌托邦式的茶道境界。

The small door of the house looks like a hole in the mouth, The key is that the door called Linkou. It is the only entrance to the tea house for guests,you must stoop to enter here.This is Cheon Rikyu’s design. This entrance of equality and humility also means that the guests from the chaotic secular society into the utopia realm of tea ceremony.

汐留屋的“星空” 设计之外的意外，这座刚刚建好的登岛长桥恰恰支撑了主题文脉的延续和融合，它如果用艺术的形式表现，那么纯正东方和偏东的东方再到西方就有了实际的参照。所以多点文化自信，外国的月亮有可能是从中国转过去的。

In addition to the design of the “starry sky”, the newly built long bridge just supports the continuation and integration of the theme context. If it is expressed in the form of art, then the pure east and the eastern east will have practical references to the west. So with more cultural confidence, the foreign moon may turn away from China.

∇ 织田一磨《渔师图》

∇ 梵高《星空》

《竹禽图》和靠背丝锦纹样的传袭皆可找到溯源。

“Bamboo Bird picture” and the back of the silk brocade pattern attack can be traced back.

∇ 二层平面图

逃离城市后才发现晴天的傍晚，夕阳并不是罕见的景象。那些心旷神怡触手可得。

Sunset is not an uncommon sight on a sunny evening after escaping the city. Those who feel comfortable are at your fingertips.

又一幅开窗破洞后的散点透视长卷青绿山水。

Another picture of scattered perspective after opening the window and breaking the hole, a long scroll of green landscape.

∇ 阁楼平面图

“衡门之下,可以栖迟。泌之洋洋,可以乐饥。”是淡淡的、愀然的意境。意境之中，天地空阔，横斜的水影、稀疏的木叶，似乎能使人看见风——看，还是看，但仅仅是看还不够，还要脱离世俗的趣味，去到禅意之中。

“Under the Heng Gate, you can stay late. You can enjoy your hunger when you secrete.” It is a light and sad mood. In the artistic conception, the empty world, the horizontal water shadow, the sparse leaves, it seems that people can see the wind — see, see, but just see is not enough, and they should break away from the secular interest and go to Zen.