有限的空间中存在无限的自然，无限的自然里寻找最终的意识形态。
Within the confines of a finite space unfolds the boundlessness of nature; within the vastness of nature, we seek the ultimate ideology.
思考花艺内在的构成关系，一种关于自然与时间的有限艺术表达。如何在有限的空间中寻找无限的自然源力，也许结果存在于场地的本身逻辑。将新的体块 关系，植入建筑本体的肌理之中，在循环往复中若隐若现。寻找一些关于自然记忆的多重片段，重构与再造，此刻自然在多重的空间关系中生生不息。
This is a meditation on the intrinsic composition of floral art—a measured expression of nature and time. How might one, in a space defined by limits, discover the inexhaustible source of natural vitality? Perhaps the answer lies in the very logic of the site itself. New spatial volumes are woven into the texture of the architecture, appearing and receding in cyclical rhythm. Fragments of nature’s memory are gathered, reconstructed, and reimagined. In this moment, nature persists—unceasing and alive—within an interplay of layered spaces.
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